PUBLICATIONS
PUBLICATIONS
publicado em 2019
publicado em 2017
published in 2021
Carine Caz. Course Conclusion Paper (Graduation in Visual Arts with Emphasis on Sculpture) - School of Fine Arts, Federal University of Rio de Janeiro, Rio de Janeiro, 2021.
From the artistic creations of Carine Caz, made during the period in which she was
as a graduate student in the Visual Arts course EBA / UFRJ, the final course work
presents, through fiction, poetic-political reflections on the condition of people identified as women. An investigation that crosses the artist's body and analyzes it in
border between public and domestic spaces. The text is conceived as a “work-ritual” at the end of the course and its premise is the conscious insertion of magic / artistic and therapeutic action, with the intention of triggering the healing of ancestral limiting patterns, through the materialization of the experimental psychomagic argument entitled Curation.
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Keyword: contemporary art, feminism, ancestry, healing, magic.
published in 2020
Mari Fraga's article published at the 12th Biennial by the International Seminar, Feminism (s) Visualities, Actions and Affections. The text is an artistic perspective on the interactions between the human agent and nature in the face of the ecological and climatic crisis and in the light of Ecofeminism. It starts with a reflection on the term Anthropocene to inquire about the hegemonic conception of anthropes and human species. In contrast, the text mobilizes the debate around the historical association between woman and nature, investigates the body-Earth analogy, and proposes, from ecofeminist thinking, the fictional character humus agent.
published December 2017
Article by Mari Fraga published in the online magazine of PPGAV / EBA / UFRJ Arte & Ensaios, n. 34. A look at natural / artificial disasters based on the work of Alice Miceli, Robert Polidori and Werner Herzog. The text reflects on the use of the technical image as a document and expression, and art as a trigger of vulnerabilities
Published on October 10, 2017
Article by Mari Fraga published in the Revista Brasileira de Estudos da Presença. Fossil Time: oil, art and body in the cosmopolitics of the Anthropocene - An artistic and theoretical investigation of fossil fuels, industrial assemblages in nature and their reflexes on social structures and systems of power.
published June 2016
Paula Scaparini's article published in Revista Nava - edited by the Graduate Program in Arts, Culture and Languages at UFJF, with the dossier “Arte, Mundo” organized by Ligia Dabul and Maria Lucia Bueno. v. 1, n. 2 (Jan / Jun 2016)
published on November 27, 2016
Doctoral thesis by Mari Fraga defended in 2016 at PPGArtes UERJ, with guidance from Prof. Dr. Ricardo Basbaum. It counted with the participation of the professors, doctors Marisa Flórido (UERJ), Malu Fatorelli (UERJ), Laura Erber (UniRio) and Déborah Danowski (PUC Rio) in the board. The text crosses fields such as archeology, geology, chemistry, biology, history, anthropology, philosophy and sociology, and enters the sphere of cosmopolitics from an investigation of fossil matter, formed by the element carbon.
published in 2016
VASA 2016 E-CATALOG, Guest Curator Paula Scamparini. The VASA Project is an online center for media studies. The VASA mission is to provide an online platform to disseminate the work of theorists and artists on a global scale. The VASA community shares an interest in media, photography, film / video and sound studies.
published in 2016
Paula Scaparini's article published in Revista Visuais - magazine of the post-graduate program in visual arts at UNICAMP, with the Dossier [er]> And everything else is landscape… v. 2, n. 3 (2016).
published in 2016
Article by Paula Scaparini published in ARTEFACTUM Magazine - Journal of Studies in Languages and Technology, v. 12, n. 1 (2016)
published in 2014
Doctoral Thesis presented by Paula Scamparini to the Postgraduate Program in Visual Arts (Interdisciplinary Poetics) at the School of Fine Arts (PPGAV EBA UFRJ ) , Federal University of Rio de Janeiro, in 2014.
published in 2013
Text by Paula Scamparini published in the book Evocações da Arte Performática (2010-2013) .